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Shock rock's greatest act could add any number of songs to a list of truly frightening songs — "Dead Babies" about child neglect"The Ballad of Dwight Fry" an insider's view of going mad"Sick Things" sick things — but it's one of Alice Cooper's at least three!
In a Rolling Stone interviewAlice Cooper shrugged off the tune's shock value. If I cut my arm off and ate it, OK, that Terrifying (12Remix) - Rolling Stones* - Terrifying be shocking. But you can only do it twice.
The lyrics were directly sourced and spliced from a written testament by artist Blaster Al Ackerman — who served as a medic in Vietnam, and later in a burn victim unit at a hospital, where he cared for a woman who was scorched from her waist to her face. The song was cowritten by Cave Terrifying (12Remix) - Rolling Stones* - Terrifying his then-girlfriend Anita Lane, interpolating tonal elements of American Southern Gothic into roiling, cartoonish art-rock.
Although the band fell apart just a year later, the Birthday Party influenced gothic rock by incorporating disparate strands of blues and rockabilly to eerie effect. Just another Springsteen song about a boy and a car and a girl. Bruce had given a voice to desperate souls before, but those were usually good people fallen on hard times. Although Metallica were underground trendsetters for the early half of Magic Is The Moonlight - Various - Candlelight Moods And Memories Eighties, they broke into mainstream consciousness in with "One," a single about Count Your Blessings - Firefall - Élan quadriplegic solider asking to die.
He eventually headbangs Morse code on his pillow, asking his doctors to kill him. For Metallica, that story — set against machine-gun thrash riffs for nearly eight minutes — made for an unlikely Top 40 hit, an unforgettable music video using footage from the movie and a Grammy win.
A tale told by a bog witch of the highest order. In the lead single from her album, To Bring You My LovePolly Jean Harvey transforms into a beguiling, filicidal mother from a swampy underworld, beckoning her daughter back from the river she drowned in.
The music video sees Harvey undulating to a sinister cha-cha rhythm and thrashing underwater in a red satin dress: She genuinely struggled to come up to the surface, she told Spinthanks to the weight of her hefty black wig.
The low drone that opens Scott Walker's track "Farmer In The City" only hints at the plainly laid out horror that's going to come. The pop idol turned experimental miserablist has the sort of voice Terrifying (12Remix) - Rolling Stones* - Terrifying can't be described using simple terms like "haunting" or "funereal" — he has a precisely calibrated moan with a vibrato, and the pitch-black music he's released in the past two decades has used his voice, and his bleak outlook, to arresting effect.
Over a tense, spare arrangement by the Sinfonia of London, Walker wails his abstract interpretation of the Italian film director and intellectual Pier Paolo Pasolini's final thoughts he was murdered in Nearly every Nick Cave song is scary; few artists have dedicated themselves to the grim and macabre like the Australian Bad Seeds leader.
In the mid Nineties he tasked himself with writing and recording the self-explanatory album Murder Balladswhose songs claimed the lives of dozens upon dozens of hapless fictional victims. This dramatic monologue from a nosy neighbor is set to a palette of eerie sound effects — subdued metallic clangs, low-rent electronic flutters — that would be the envy of any haunted house designer. Always a creepy dude not for nothing did Francis Ford Coppola cast him as the bug-gobbling Renfield in his take on DraculaTom Waits wheezes here like he's shining a flashlight underneath his chin to spook an edgy campfire scout troop.
Terrifying (12Remix) - Rolling Stones* - Terrifying fact, they way he repeatedly intones, "What's he building in there?
At least until the unsettling coda, where we hear the whistling from the home of the eccentric builder for ourselves. Eminem's revenge fantasia "'97 Bonnie And Clyde" was an upbeat yet horrifying track where the bleached-blonde MC detailed a father-daughter trip to the Terrifying (12Remix) - Rolling Stones* - Terrifying with some hints that "Mama," in the trunk, wasn't exactly along for the ride willingly.
Tori Amos's reinvention for her covers album Strange Little Girls ups the American-gothic quotient with horror-movie strings, dimestore-synth beats, and a flip of the song's perspective — her strangled delivery and parental tenderness make the monologue Terrifying (12Remix) - Rolling Stones* - Terrifying as if it's coming from the victim as the life is being bled right out of her. There was one person who definitely wasn't dancing to this thing, and that's the woman in the trunk.
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